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Matthew Leigh Embleton

Composer, Musician, Producer

Composer | Lute & Laptop | Snakestyle | Sandspider | Lute | What is Ambient? | Biography | Contact

"a real, resounding eerieness which lies beneath the sound here" / "really draws you into the heart of the music, telling you that these are dark and stormy waters into which you are being drawn" / "oddly perfect winter listening"

Jonathan Muirhead - isthismusic.com, 15th Dec 2011

"It is rare"... "to hear such a spiky and dynamic record, with such a personality all of its own." / "an agenda and an objective mind all of its own, and is all the better for it" / "constructed as some kind of aural soundscape, to be slowly digested as all the sounds and flavours leak out into your system" / "It will be there for you in your hour of need. It is both comfort blanket and bedrock, just like all the best music should be, and it has a real blade of ice at its centre"

Jonathan Muirhead - isthismusic.com, 27th May 2009

Latest News

01/09/2013 - Appearing with Susan King at the Utrecht Early Music Festival playing pieces from 'Music For Lute And Laptop' and discussing modern lute music. 16:30 at the Doopsgezinde kerk.

Summer / Autumn 2013 - Music For Lute And Laptop Volume 3 - (David Van Ooijen, Lutes) (Alex Tronic Records).

Cover artwork Mike Embleton

01 Lutes On The Lake (Part 1) (04:00)

02 Arpeggiata (04:00)

03 Lutes On The Lake (Part 2) (04:00)

David Van Ooijen plays:

Archlute by Stephen Barber, 2005 / Hendrik Hasenfuss, 1991

11c Baroque Lute by Richard Berg, 2009

Theorbo by Stephen Barber, 1988

Also on 'Lutes On The Lake' Mike Embleton plays additional electric guitar textures.

David Van Ooijen plays solo music and accompanies singers on various lutes, historical guitars and shamisen. He also plays continuo in several early music groups and orchestras.

He has appeared in the festivals of Utrecht, Flanders, Wratislawa, Osnabrück, Dubrovnik, Melk, Cambrils, Seviqc Brezice, Gijón, Berlin, Tehran and Nagasaki. He has recorded some 30 CDs and in 1991 BBC radio made solo recordings of him.

In 1998 he won an early music prize in Holland and in 2000 and 2009 he was invited to spend a month in Hirado, Japan, as artist in residence. Here he has come to love traditional Japanese music and learned to play the shamisen.

After making a CD with Japanese songs with soprano Chiyomi Yamada, accompanied on an original 19th century guitar, David has toured Japan three times in 2003 and 2008, and in 2012 returned to Hirado for concerts.

In 2004 and 2005 CDs with altus Sytse Buwalda reached the number one spot in the classical charts of the Dutch national radio and David’s CD with fellow lutenist Michiel Niessen, featuring the first recording of the complete lute duets of sixteenth century lute virtuoso Giovanni Antonio Terzi, received a raving review in the prestigious Early Music Magazine.

In 2007 David played during the baptism service of Princess Ariane, daughter of the Dutch Crown Prince Willem Alexander and his wife Máxima.

In 2011 and 2012 he played concerts with lutenist Toyohiko Satoh in Spain and Japan.

"I use gut strings on my lutes and early guitars, because I strongly feel it is the right thing to do. Their warmth of tone colour and complexity of sound make them ideal to express my musicality."

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Summer 2013 - With Chris Garland and Hong Guo, the new album 'The Psychedelic Manifesto - Garden Of Dreams'.

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06/06/2013 - Cloud Level played by Stuart Walsh, Renaissance Lute

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03/06/2013 - Spanish Voyage (Ambience Of Renaissance Spain). An ambient and meditative sense of exploration in the Spanish Renaissance.

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29/05/2013 - Hymn To Mithras featured on Ancient Rome Refocused by Rob Cain, Episode 12. The piece provides the soundtrack for a poem about the life of a statue of Venus through the ages.

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15/05/2013 - Arpeggiata (In A Minor) played by David Van Ooijen, Baroque Lute

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06/05/2013 - Music For Lute And Laptop Volume 2 - (Susan King, Lute) (Alex Tronic Records)

Available on Amazon.com | Amazon.co.uk | Amazon.de | Amazon.co.jp | Musicme.com | iTunes.com

Cover artwork Mike Embleton

01 Looking Skyward (02:40)

02 Tasmanian Lake (06:08)

03 Extransience (01:30)

Susan King plays an 11c Baroque Lute by Michael Lowe, Oxford, UK, Recorded at Mt Nelson, Hobart, Tasmania on 22nd June 2012 by Tony Sayer of Megatone Productions (Megatoneproductions@netspace.net.au)

Also on 'Tasmanian Lake' Matthew Leigh Embleton plays a 13c Baroque Lute by David Van Edwards Summer School, 2011 courtesy of The Lute Society.

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01/05/2013 - Arpeggiata (In A Minor) played by Stuart Walsh, Renaissance Lute

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01/05/2013 - Hymn To Mithras (Ambience Of Ancient Rome). 10 String Lyre Harp with haunting hypnotic vocals in a musical collaboration with Minnie Rogers to produce an ambient and meditative sense of the ancient world.

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16/04/2013 - Eternal Recurrence played by Stuart Walsh, Renaissance Lute

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04/03/2013 - Music For Lute And Laptop Volume 1 - (Susan King, Lute) (Alex Tronic Records)

Cover artwork Mike Embleton

Available from Amazon.com | Amazon.co.uk | Amazon.de | Amazon.co.jp | Qobuz.com | Emusic.com | Metelli.net | iTunes.com

01 Cloud Level (07:00)

02 Eternal Recurrence (03:30)

03 Victoria Park, December 2005 (04:00)

Susan King plays an 11c Baroque Lute by Michael Lowe, Oxford, UK, Recorded at Mt Nelson, Hobart, Tasmania on 22nd June 2012 by Tony Sayer of Megatone Productions (Megatoneproductions@netspace.net.au)

The Lute - The French Baroque Lute has a special tone quality, resonance and clarity of sound that speaks directly to the heart of the listener. It was developed in the first quarter of the 1600's by lutenists seeking a way to better express what they wanted to say in their music. They believed that the music of the lute was the voice of the gods. What they did was experimental and ground-breaking and paved the way for new directions in music. Today we carry on this tradition of innovation, allowing the voice of the lute and the technology available through the laptop to lead us forward to new horizons. The origin of the lute may be in the past, but this project shows that the lute is an instrument for our times and the future.

The Laptop - In performances of modern art music, particularly Electro-Acoustic, Acousmatic, or Avant-Garde, the Laptop is listed as an instrument in its own right. The contribution that the Laptop makes to the overall sound depends entirely on the guidance from the composer, the interpretation of that guidance by the performer, and the software and how it is used to produce and / or modify sounds as part of the performance. In this project, the role of the Laptop is to provide gentle sonic treatments of the Lute and a harmonic ambient backdrop to the composition.

Susan King - Susan King (Jones) was born in Sydney, Australia on 8th January 1956. She gained her Bachelor of Music from the Sydney Conservatorium of Music. Never one to take the obvious pathway, Susan's life has been filled with interesting twists and turns. However in 2008 her love of the French Baroque Lute compelled her to move to Europe where she spent the next four years following her passion for lute playing across several continents. She then returned the her home on the beautiful island of Tasmania where she directs the biennial Hobart Lute Festival. Susan has always enjoyed working with composers in the creation of new music and loves exploring the possibilities this offers with the lute. In 1988, Australian composer Robert Allworth wrote the first concerto written in modern times for the French Baroque lute for Susan.

"The music of this instrument speaks to me in a way that no other music does. When I hold my lute, it is no longer just me and the lute it is neither of us but something else, something that demands to be heard, to speak, to move, to communicate. I play music because I must and I play the French Baroque Lute because it is the sound I desire. When I play from the original handwritten 17th century manuscripts I feel connected to the composer. Across time and space, 400 years apart, we meet, and when I work with living composers, I hear my lute in new ways, which deepens my understanding of the instrument. Working with Matthew has opened up a whole new world of possibilities for the lute, truly bringing it into the 21st century."

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12/02/2013 - From Depth - Published by The Lute Society

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02/02/2013 - From Depth played by Stuart Walsh, Renaissance Lute

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25/01/2013 - From Depth played by David Van Ooijen, Baroque Lute

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21/01/2013 - Interview on Resonance FM 104.4 London, with Stephanie Feeney.

Discussing the lute in modern music.

Track 01 - Journey in D Minor (Published by The Lute Society, played by Susan King, Stuart Walsh, and David Van Ooijen)

Track 02 - Becki Bardot (aka Rebecca Croan) - Summer of Love (Snakestyle's Ibiza Sunrise Mix, Alex Tronic Records)

Track 03 - Joan Ambrosio Dalza - Tastar De Corde #3

Track 04 - Snakestyle & Sweetleaf - Out Of Bounds (Alex Tronic Records)

Track 05 - Snakestyle - Late Night Improvisation (Alex Tronic Records)

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18/12/2012 - Journey In D Minor played by Michael Piraner, Tenor Recorder

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15/12/2012 - Nocturne In E Minor played by Stuart Walsh, Renaissance Lute

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15/12/2012 - Journey In D Minor played by Stuart Walsh, Renaissance Lute

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27/11/2012 - Various Artists - Alex Tronic Records, Beat Up (Volume 4) (Alex Tronic Records)

Track 04 - Ibiza Island featuring Sally Stapleton (Snakestyle's Drum & Bass Mix)

Track 06 - Minnie Rogers - Side to Side (Snakestyle's Analogue Mix)

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20/11/2012 - Various Artists - Alex Tronic Records, The Chill Out (Volume 3) (Alex Tronic Records)

Track 02 - Becki Bardot - Summer of Love (Snakestyle's Ibiza Sunrise Mix)

Track 03 - Alex Tronic - Sunshine Lover (Snakestyle's Sun Lounger Mix)

Track 04 - Alex Tronic - Send Me Five Dollars (Snakestyle's Spaced Out Mix)

Track 06 - Becki Bardot - Summer of Love (Snakestyle's Dub Mix)

Track 10 - Snakestyle - A Rainy Night in London (with Minnie Rogers)

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01/11/2012 - Journey In D Minor / Viaggio In Re Minore published by Società del Liuto journal, (ISSN 2280-9392). Mille Grazie Società del Liuto!

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02/10/2012 - Minnie Rogers - A Rainy Night In London (Snakestyle's Drum & Bass Remix) (Alex Tronic Records)

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28/09/2012 - Alex Tronic & Becki Bardot - Balearica Sessions EP (Alex Tronic Records)

Track 03 - Ibiza Island (Snakestyle's Drum & Bass Mix)

Track 05 - Ibiza Island (Snakestyle's Electrostep Mix)

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12/09/2012 - Minnie Rogers - A Rainy Night In London (Snakestyle's Drum & Bass Remix) (Alex Tronic Records)

Exclusive preview on 'LFO Sessions', DJ Sweetleaf & LOS on www.bassjunkees.com

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22/08/2012

Alex Tronic - Ibiza Island (Snakestyle's Drum & Bass Mix) (Alex Tronic Records)

Exclusive preview on 'LFO Sessions' hosted by DJ Sweetleaf & AKA on www.bassjunkees.com

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12/08/2012 - Minnie Rogers - Side to Side, played on Kiss 100.0 FM

At 04:34, Minnie Rogers - Side To Side was played on KISS FM, Justin Wilkes Rehab show 4:00-6:00. Available on Kiss Kube 'Listen Again' service. Select genre 'Chill-Out'

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06/08/2012 - Nocturnes In D Minor And E Minor published by The Lute Society.

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29/07/2012 - Ambient Bach / Lounge Lute

J S Bach - BWV999 Prelude in C Minor (David Van Ooijen, Baroque Lute)

Video and electronic ambience by Matthew Leigh Embleton

20/07/2012 - Minnie Rogers - A Rainy Night EP (Alex Tronic Records)

Minnie Rogers debut solo EP produced by Snakestyle and released on Alex Tronic Records.

A new song version of 'A Rainy Night In London' and a remix of 'Side To Side'. Enhanced CD includes video

A Rainy Night In London (Video by Matthew Leigh Embleton and Mike Embleton)

Only £3.99 + Postage and Packaging

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19/07/2012 - Journey In D Minor played by Stuart Walsh, Renaissance Lute

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06/07/2012 - Journey In D Minor published by The Lute Society.

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12/06/2012 - Mentioned in Peter Croton's Modern Lute Composers project

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27/05/2012 - Journey In D Minor played by David Van Ooijen, Baroque Lute

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20/02/2012 - Alex Tronic - Electricals EP (Alex Tronic Records)

Vocals by Kirsty Brown, with two remixes by Snakestyle.

Track 03 - Sunshine Lover (Snakestyle's Sun Lounger Mix)

Track 04 - Send Me Five Dollars (Five Dollar Remix)

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09/01/2012 - Snakestyle & James Dodd - Warm Dusk (Alex Tronic Records)

Track 01 - Warm Dusk (Original Version)

Track 02 - Warm Dusk (Snakestyle Remix)

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15/12/2011 - Snakestyle World Radio review by Jonathan Muirhead

"a real, resounding eeriness which lies beneath the sound here" / "really draws you into the heart of the music, telling you that these are dark and stormy waters into which you are being drawn" / "oddly perfect winter listening"

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12/12/2011 - Snakestyle World Radio (Alex Tronic Records)

Track 01 - Just Moving (with Andy Barnett)

Track 02 - I Control The Light

Track 03 - Machines Warming Up (Version 2)

Track 04 - Rising And Falling

Track 05 - Stirred Sleep (with Mike Embleton)

Track 06 - Across And Dub

Track 07 - Communications Frozen

Track 08 - Waking Up In A Jungle (with Daniel Waples and Flavio Lopez)

Track 09 - Side To Side (with Minnie Rogers)

Track 10 - Snow Shelter

Track 11 - Late Night Improvisation

Bonus Content - Communications Frozen (Video by Mike Embleton)

Only £4.99 + Postage and Packaging

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05/12/2011 - Snakestyle Live Volume 2 (Alex Tronic Records)

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29/11/2011 - Snakestyle Live Volume 1 (Alex Tronic Records)

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06/06/2011 - Snakestyle & Sweetleaf - Out Of Bounds EP (Alex Tronic Records)

Track 01 - Out Of Bounds Part 1 (Reprise)

Track 02 - Out Of Bounds Part 2 (Origins)

Track 03 - Out Of Bounds Part 3 (Digitise)

Track 04 - Out Of Bounds Part 4 (Revisit)

Track 05 - Out Of Bounds Part 5 (Resolve)

Track 06 - Out Of Bounds (Snakestyle Dub Version)

Bonus Content - Ideas While Walking (Video By Mike Embleton)

Only £2.99 + Postage and Packaging

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06/05/2011 - Becki Bardot - Summer Of Love EP (Alex Tronic Records)

Track 02 - Summer Of Love (Snakestyle's Ibiza Sunrise Mix)

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11/06/2010 - Various Artists - Made Of Dawn 1 (Blue Hour Sounds)

Track 03 - Across And Up

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05/04/2010 - Various Artists - Shanti Bar 1 (Millennium)

Track 02 - Missing You Already

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08/02/2010 - Various Artists - Shanti Lounge (Millennium)

Track 09 - Space Lounge (with Mike Embleton) (Incorrectly listed on CD as 'Turning Point')

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08/06/2009 - Various Artists - Hope (Fluid Audio Recordings)

Track 02 - Hopeful

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08/06/2009 - Live at Whirl-Y-Gig

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27/05/2009 - Turning Point review by Jonathan Muirhead - isthismusic.com

"It is rare..." "to hear such a spiky and dynamic record, with such a personality all of its own." / "an agenda and an objective mind all of its own. And is all the better for it" / "constructed as some kind of aural soundscape, to be slowly digested as all the sounds and flavours leak out into your system" / "It will be there for you in your hour of need. It is both comfort blanket and bedrock, just like all the best music should be.” / "And it has a real blade of ice at its centre"

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09/12/2008 - Turning Point (Alex Tronic Records)

Track 01 - Turning Point

Track 02 - Missing You Already

Track 03 - Future Dub (with Ranking Roger)

Track 04 - Neutral Buoyancy (with Mike Embleton)

Track 05 - Ideas While Walking

Track 06 - Counter-Rotation (with Sweetleaf)

Track 07 - A Rainy Night In London (with Minnie Rogers)

Track 08 - Waterfront Perimeter (with Daniel Waples)

Track 09 - Come Around (with Ranking Roger)

Track 10 - High Altitude Part 1 - Summit Plateau

Track 11 - Space Lounge (with Mike Embleton)

Track 12 - Suspended Static

Track 13 - Out Of Bounds Part 1 (with Sweetleaf)

Track 14 - High Altitude Part 2 - Summit

Track 15 - Last Light (with Osamu Yano)

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01/12/2008 - Various Artists - Goa Beach 10 (Millennium)

CD 2 Track 05 - My Angel

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26/10/2008 - Live at Whirl-Y-Gig

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13/09/2008 - Live At Waveform Festival.

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16/07/2008 - Various Artists - Goa Beach 9 (Millennium)

CD 2 Track 09 - Reassured

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26/04/2008 - Snakestyle - Live At Edensounds

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22/02/2008 - Various Artists - Future Memories (Interchill Records)

Track 08 - Neutral Buoyancy (with Mike Embleton)

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01/02/2008 - Oahu Still Get Fish - The Kind Productions

This is a film by Derek Levault about spear-fishing and diving in Oahu, Hawaii. It was filmed in 2007, and released in 2008.Featuring several tracks from the album ‘Snakestyle'. A DVD of this film is available from ‘The Kind Productions

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01/10/2007 - Various Artists - Dreams (Millennium)

Track 03 - Snakestyle - Sunrise Dub (with Mike Embleton)

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28/07/2007 - Snakestyle (Millennium)

Track 01 - Frozen State

Track 02 - My Angel

Track 03 - Tuning In

Track 04 - Dynamic Apnea

Track 05 - Point To Point

Track 06 - Recurring Dream

Track 07 - Reassured

Track 08 - Static Apnea

Track 09 - Sunrise Dub (with Mike Embleton)

Track 10 - Extransience

Track 11 - Drifting Off

Track 12 - Kelly's Tune

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Lute

Matthew Leigh Embleton plays a 7 Course Renaissance Lute in F (A=440hz) made by Luke Emmet of Orlando Lutes.

Walnut and ash ribs. Rosewood pegs. Alpine spruce soundboard. Unique rose design. Ebony fingerboard. 63cm Aquila Nylgut strings with nylon top and octaves on 5, 6, and 7. Click on the photos for larger view.

Lute Links

The Lute Society, the centre of all things Lute in the UK.

Orlando Lutes, Lute Maker.

Susan King, Lutenist.

David Van Ooijen, Lutenist.

Stuart Walsh, Lutenist

Arnold Den Teuling, Musician and Renaissance Music enthusiast.

Sarge Gerbode, a massive resource of Lute Tablature.

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Sandspider - (With Alan McDermott)

01/10/2007 - Various Artists - Dreams (Millennium)

Track 05 - Late

25/04/2005

Various - Tantra Trance 1 (Millennium)

CD 2 Track 10 - Outro

26/07/2004 - Various - Goa Beach 2 (Millennium)

CD 2 Track 10 - Late

CD 2 Track 11 - Small Town Hassles

26/01/2004 - Sandspider - Music For An Imaginary Film (Millennium)

Track 01 - Crisis

Track 02 - Intro

Track 03 - Small Town Hassles

Track 04 - Approach

Track 05 - Zoned

Track 06 - The Groove

Track 07 - Levchenko

Track 08 - Interlude

Track 09 - Ten Spoons

Track 10 - Late

Track 11 - Realism

Track 12 - Wrong Number

Track 13 - No Time left

Track 14 - Eyes I Dare Not Meet

Track 15 - Nightmares

Track 16 - Outro

22/09/2003 - Various - Latina Beach Bar 2 (Millennium)

Track 11 - Groove

29/07/2002 - Various - Goa Beach 1 (Millennium)

CD 2 Track 02 - Crisis

29/04/2002 - Sandspider - Killing Time (Millennium)

Track 01 - Killing Time

Track 02 - Sector 3000

Track 03 - UV Banks

Track 04 - Fixation

Track 05 - 15 Miles

Track 06 - Exception

Track 07 - Next 2 Zero

Track 08 - Quiet Listener

Track 09 - Journey Home

03/09/2001 - Various - Ambient Soho 3 (Millennium)

CD 2 Track 01 - Quiet Listener

CD 2 Track 02 - The Journey

19/03/2001 - Sandspider - Spider (Worm Interface Records)

Track 01 - Subterranea

Track 02 - 1 19

Track 03 - Cold Valley

Track 04 - Terreverte

Track 05 - Voltage

Track 06 - Spider

Track 07 - Mindswitch

Track 08 - Vision

Track 09 - Amphibian

Track 10 - 3 27

Track 11 - Northern Lights

12/02/2001 - Various - Ambient Soho 2 (Millennium)

CD 2 Track 03 - Vision

05/06/2000 - Various - Ambient Soho 1 (Millennium)

CD 2 Track 02 - Voltage

CD 2 Track 04 - Outside

19/09/1999 - Various - Volume Transmission (Worm Interface Records)

Track 01 - Vision (Camden Sessions Version)

Track 05 - Voltage Form (Camden Sessions Version)

01/06/1999 - Various - Ambient Odyssey (Rumour Records)

CD 4 Track 01 - Micronoid (Sandspider) - Blown Unknown

CD 4 Track 02 - 12db (Sandspider) - Liquid Light

CD 4 Track 03 - Relative Hold (Sandspider) - Radon

CD 4 Track 04 - VCO (Sandspider) - Mountain Glass

CD 4 Track 05 - Empathy Wave (Sandspider) - Perspex Theme

CD 4 Track 06 - Exit Bank (Sandspider) - Desert Flight

CD 4 Track 07 - Motion Control (Sandspider) - Brain 49

CD 4 Track 08 - Offset (Sandspider) - Offset

CD 4 Track 09 - Southern Lights (Sandspider) - Deep Water

CD 4 Track 10 - Cue & Edit (Sandspider) - Chakra Meditation

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Ambient Music

The origins of Ambient music can be traced back to the early 20th century, notably the two art movements Futurism and Dadaism that encouraged experimentation with various musical and non-musical forms, while rejecting more traditional styles of expression. This included experimental and 'anti-music' musicians such as Francesco Balilla Pratella, Kurt Schwitters, Erwin Schulhoff.

These experiments were influential for the early 20th Century composer Erik Satie who created what he called Musique D'Ameublement (Furniture Music) to create a background atmosphere for an event or activity, rather than serving as the focus of attention.

Brian Eno is generally credited with coining the term 'Ambient music' in the mid-1970s to refer to music that can be either 'actively listened to with attention or as easily ignored, depending on the choice of the listener', and on the 'cusp between melody and texture'. He described his experiments in sound as 'treatments' rather than as traditional performances. He used the word 'Ambient' to describe music that creates an atmosphere that puts the listener into a different state of mind, from the Latin term 'ambire', 'to surround'.

'Ambient music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting'.

'Ambient music is intended to induce calm and a space to think.'

With the increasingly availability of synthesisers, experimentation in timbral characteristics of sound became more possible. A whole genre of Electronic music also emerged with the synthesiser playing a dominant role. This was pioneered by artists from 'The Berlin School' such as Tangerine Dream, Kraftwerk, Cluster, Klaus Schulze, Ashra, Popol Vuh and others. This music was characterised by long compositions, synthesiser sequenced ostinatos or 'loops', improvised lead melodies, changing and evolving structure and timbre of sounds.

Other significant artists such as Mike Oldfield, Jean Michel Jarre, and Vangelis have all added to or directly influenced the evolution of Ambient and electronic music in their own way, and also works by groups such as Pink Floyd and Yes who experimented with technology and incorporated it into their music.

During the 1980s several albums that are now considered Ambient classics were produced, notably Brian Eno's 'Apollo' and 'Ambient 4' and collaborations with Harold Budd 'The Plateau of Mirror' and 'The Pearl', David Sylvian's 'Gone To Earth', and his collaborations with Holger Czukay 'Plight & Premonition' and 'Flux and Mutability'.

By the early 1990s the next generation of electronic musicians used this Ambient influence in their electronic music, such as Aphex Twin, Biosphere, Boards Of Canada, Future Sound Of London, Global Communication, Higher Intelligence Agency, KLF, and The Orb. This was an alternative to much harder and faster dance music scenes at the time such as 'Rave', 'Hardcore', 'Drum & Bass'. This more Ambient electronic music was in fact incorporated into the scene as 'Chillout', often being played in a dedicated 'Chillout room' at a rave event where people could relax and calm down after dancing or experiencing intense drug induced experiences.

Today the term Ambient is perhaps not as universally recognised, used, or understood as it once was, but the influences and principles of exploration and experimentation, and contemplative and meditative states of mind still live on in music, art, and film, and continue to provide calm and space to think, a sane antidote to the stresses of modern life.

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Biography

Matthew Leigh Embleton was born at RAF Wegberg, West Germany on the 15th May 1978 (A birthday shared with Brian Eno and Mike Oldfield).

He traces his interest in making music back to about age 7 when he was given his first keyboard, a copy of 'Oxygene' by Jean Michel Jarre, and a recording of Beethoven's piano sonatas played by Wilhelm Kempff. A love of synthesizers, electronic music, and classical music soon followed.

In 1998 he began working with Alan McDermott under the name 'Sandspider' and produced three albums of experimental and minimalist electronic music. 'Spider' (Worm Interface Records, 2001), 'Killing Time' (Millennium, 2002) and 'Music For an Imaginary Film' (Millennium, 2004).

After the release of his first solo album 'Snakestyle' (Millennium, 2007) and appearances on several compilations in 2008, he then signed to Alex Tronic Records and released 'Turning Point' (2008 MP3 / 2009 CD).

In late 2009 an ongoing love of Classical and Early Music resurfaced, culminating in experiments with the Lute which began to appear on 'Out Of Bounds EP' (with Chris Jordan) (2011), and 'Snakestyle World Radio' (2011) which ends with the track 'Late Night Improvisation' on which he improvises on the Lute and a digital piano, somewhere between Ambient, Contemporary, and Jazz.

After meeting Susan King at a Lute recital in London, they kept in touch, exchanged ideas, and from opposite sides of the world began working on 'Music for Lute and Laptop', a blend of Neo-Baroque style composition, and modern Ambient Electro-Acoustic sonic treatments.

Matthew has just finished producing a forthcoming album 'Garden Of Dreams' with the group The Psychedelic Manifesto (aka Chris Garland, and Hong Guo).

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Copyright ©2013 Matthew Leigh Embleton Music. All Rights Reserved.